Graduate unemployment in South Africa has risen to 12.2%. The problem is a skills mismatch, not qualifications.
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South Africa’s top universities have stopped policing AI and started redesigning how they teach, assess and certify.
BlackBerry lost while it was winning. South Africa’s would-be IoT platforms should heed the warning.
South Africa’s private sector returned to marginal growth in June, but business optimism sank to a five-year low.
More News
German energy consultants have completed a review of Eskom’s struggling coal-fired plants.
The Reserve Bank will keep interest rates steady at its 21 September meeting, economists say, with cuts to start next year.
National treasury has proposed a new fiscal anchor as part of measures to regain the country’s fiscal credibility.
Electricity outages remain at record levels despite Eskom burning through vast quantities of diesel to bolster output.
Low-Earth orbit satellites promise to connect every corner of the planet. But could they also threaten mobile operators?
Eskom may be forced to impose power cuts beyond stage 6 in the short term if demand isn’t curtailed.
World News
Fastly, the company behind a major global Internet outage this week, said the incident was caused by a bug in its software that was triggered when one of its customers changed their settings.
Kenyan President Uhuru Kenyatta on Tuesday urged Ethiopia to open up its telecommunications sector to private mobile money business investors.
US President Joe Biden is withdrawing a series of executive orders that sought to ban new downloads of WeChat and TikTok.
A year-long inquiry into voice assistants such as Alexa and Siri has led to among more than 200 companies expressing concerns of potential anticompetitive practices, EU antitrust regulators said.
Remember those big black disks with holes in the middle that used to be played on “turntables”? They’re not actually ancient history. This past year, worshippers at what novelist Michael Chabon calls “the Church of Vinyl” bought 9,2m records. And though
Earlier this month, YouTube’s new subscription video-on-demand (SVOD) service, YouTube Red, launched its first swag of “original” programmes. This followed news of significant rights acquisitions by SVOD services at the Sundance and Berlin Film Festivals
































